{"id":29,"date":"2014-08-05T21:13:05","date_gmt":"2014-08-05T20:13:05","guid":{"rendered":"http:\/\/www.dianarighini.com\/?page_id=29"},"modified":"2024-02-22T16:02:50","modified_gmt":"2024-02-22T15:02:50","slug":"about","status":"publish","type":"page","link":"https:\/\/www.dianarighini.com\/?page_id=29","title":{"rendered":"About"},"content":{"rendered":"\n

\u00ab\u00a0Diana Righini in an european artist. She works between France and Germany. Her research is based from her travelling, observing cities mouvements and his boundaries. The right to the city, questions about public space but also immigration are the anchor points of her work which consists in creating forms to think, experiment and live in a common world. She combines photography, silkscreen, drawings with installations and art textile in order to reveal the narrative process of a territory and a fragile human dimension inscribed in our landscape\u00a0\u00bb. <\/mark><\/p>\n\n\n\n

\u00ab\u00a0After graduating from ENSB-A, Beaux-Arts in Paris, she studied at the Weissensee Kunsthochschule in Berlin. She obtained the DAAD Research Grant, which allowed her to settle in Berlin for several years. She has collaborated with Berlin artist collectives, notably Art Ashram and in Paris with AVD. She has also been a curator for the exhibition Millefeuille<\/em><\/a> at the French Institute in Berlin, and the project MOnuMENTS<\/em> at T\u00eate Gallery. She is currently working on a book of photographs that retraces the evolution of the city of Berlin between 2004 and 2019″.<\/span><\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00ab\u00a0Depuis 10 ans, Diana Righini d\u00e9veloppe un travail bas\u00e9 sur une accumulation de mat\u00e9riaux pauvres, affranchis de toute valeur \u00e9conomique. <\/span>\u00c0 port\u00e9e de main: des objets trouv\u00e9s et d\u00e9tourn\u00e9s, des textes qu\u2019elle combine avec des archives, des photographies et des vid\u00e9os qui r\u00e9v\u00e8lent le processus narratif d\u2019un territoire et d’une dimension humaine fragile inscrite dans nos paysages.
Le bricolage est pr\u00e9sent dans sa pratique comme un geste de r\u00e9appropriation volontaire et vital, loin d’\u00eatre consid\u00e9r\u00e9 comme une simple activit\u00e9 sans valeur. L\u2019installation, le collage et la s\u00e9rigraphie permettent \u00e0 Diana Righini d’approcher des lieux dispers\u00e9s qui manifestent un \u00e9tat de reconstruction perp\u00e9tuel et universel\u00a0\u00bb.<\/span><\/p>\n\n\n\n


\u00ab\u00a0Mes \u0153uvres sont issues de territoires, de p\u00e9rim\u00e8tres, de limites, de fronti\u00e8res. Je garde des indices de ces lieux, des souvenirs possibles qui me portent \u00e0 \u00e9tablir des relations entre pass\u00e9 et un devenir et \u00e0 articuler deux ph\u00e9nom\u00e8nes: la permanence et la transition. Lors mes d\u00e9placements, j\u2019intercepte des \u00e9tats: ce qui se d\u00e9fait et se refait, ce qui s\u2019annule ou qui s\u2019affirme, ce qui m\u00e8ne \u00e0 un changement, \u00e0 des d\u00e9cisions, \u00e0 un d\u00e9but et \u00e0 une fin. La distanciation et l\u2019analyse me permettent d\u2019inventer un ordre fragile, de r\u00e9v\u00e9ler l\u2019instable, et d\u2019activer un lieu.\u00a0\u00bb D.R.<\/mark><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Articles : <\/strong><\/p>\n\n\n\n