{"id":1088,"date":"2017-09-12T11:18:22","date_gmt":"2017-09-12T10:18:22","guid":{"rendered":"http:\/\/www.dianarighini.com\/?p=1088"},"modified":"2021-07-12T09:38:53","modified_gmt":"2021-07-12T08:38:53","slug":"fabrica-mundi-expositions","status":"publish","type":"post","link":"https:\/\/www.dianarighini.com\/?p=1088","title":{"rendered":"FABRICA MUNDI 2017"},"content":{"rendered":"

http:\/\/www.paris-art.com\/fabrica-mundi\/<\/a><\/p>\n

Article : Fabrica mundi<\/em> par Florian Gait\u00e9, paris-art.com<\/a><\/p>\n

Interview pour l’exposition Fabrica Mundi<\/em> dans Point contemporain<\/a><\/p>\n

PRESENTATION BY FRAN\u00c7OIS SALMERON :<\/p>\n

ENGLISH : \u00ab\u00a0ALMA, a new art space located in the heart of the 5th arrondissement, and the bookshop La Petite Egypte are pleased to invite you to \u00ab\u00a0Fabrica Mundi\u00a0\u00bb, a two-part exhibition presented by Diana Righini.<\/p>\n

Flags made of fabric offcuts, a hut made of bricks and mortar, cartographic collages, and atlases drawing territories with fluid borders: Diana Righini’s \u00ab\u00a0Fabrica Mundi\u00a0\u00bb sketches the features of a fragmented world, in perpetual mutation.<\/p>\n

Gleaning and recycling forgotten objects, abandoned materials, images or information, Diana Righini works from a multiplicity of fragments, and updates the principles of collage dear to Dada, the Surrealists or the New Realists. Fabrica Mundi\u00a0\u00bb refers more to a modus operandi, an artistic protocol, than to the object resulting from the creative process. This expression refers to the dynamics that lie at the root of any artistic gesture, rather than fetishising its final product. Diana Righini thus assembles fragments and reorganises them in a new configuration that gives them a new use, a new meaning, in relation to their initial function. From then on, the artist’s approach tends to offer us a new perspective on the materials she collects, to vary our viewpoints on the world and the objects that constitute it. In short, she invites us to move and to put our thinking in motion, far from the rigid categories and stereotypes that irrigate opinion.<\/p>\n

Indeed, the cards entitled We are all someone else’s South reveal the relativity of our perceptions and judgements. The world, understood as a \u00ab\u00a0common\u00a0\u00bb world, a space open to the plurality of people, is illuminated by a multitude of approaches and sensibilities. \u00ab\u00a0The world ends when it is perceived from only one aspect, when it is allowed to present itself from only one perspective\u00a0\u00bb, Hannah Arendt predicted darkly, announcing the emergence of a one-dimensional society, the daughter of triumphant capitalism and the ethnocentrism of Western politics.<\/p>\n

Fabrica Mundi\u00a0\u00bb then recalls that Gerard Mercator’s Atlas, the first scientific cartography created in 1595, coincides with the emergence of European colonialism and imperialism. The delineation of borders and maritime routes consecrated the advent of nation-states and capitalist expansionism, and transformed the world to suit them. The Map is not the Territory thus underlines the fundamentally contingent and arbitrary nature of our representations. Far from reproducing the contours of a stable world that is objectively given to us, maps are rather the result of a desire to manipulate and appropriate territories. Thus, the \u00ab\u00a0Fabrica Mundi\u00a0\u00bb merely reflects a particular point of view on the world which, by creating a map, attempts to produce, impose and legitimise its own vision of the globe (designation of a centre to the detriment of a periphery, ostracisation of regions and populations, territorialisation of identities, borders between peoples, races, classes, genders, etc.)\u00a0\u00bb.<\/p>\n

Fran\u00e7ois Salmeron<\/p>\n

Communiqu\u00e9 de presse<\/strong><\/p>\n

FRENCH: ALMA, nouvel espace d\u2019art implant\u00e9 dans le c\u0153ur du 5<\/span>\u00e8me<\/span><\/sup> arrondissement, et la librairie la Petite Egypte sont heureux de vous inviter \u00e0 \u00ab\u00a0Fabrica Mundi\u00a0\u00bb, une exposition en deux volets pr\u00e9sent\u00e9e par Diana Righini.<\/span><\/p>\n

Des drapeaux compos\u00e9s de chutes de tissus, une cabane faite de bric et de broc, des collages cartographiques, et des atlas dessinant des territoires aux fronti\u00e8res fluentes : la \u00ab\u00a0Fabrica Mundi\u00a0\u00bb de Diana Righini esquisse les traits d\u2019un monde \u00e9clat\u00e9, en perp\u00e9tuelle mutation. <\/span><\/p>\n

Glanant et recyclant des objets oubli\u00e9s, des mat\u00e9riaux abandonn\u00e9s, des images ou des informations, Diana Righini travaille \u00e0 partir d\u2019une multiplicit\u00e9 de fragments, et r\u00e9actualise les principes du collage cher \u00e0 Dada, aux surr\u00e9alistes ou aux nouveaux r\u00e9alistes. Car la \u00ab\u00a0Fabrica Mundi\u00a0\u00bb d\u00e9signe davantage un <\/span>modus operandi<\/i><\/span>, un protocole artistique, que l\u2019objet issu du processus cr\u00e9atif. Cette expression renvoie \u00e0 la dynamique qui se trouve au fondement de tout geste artistique, plut\u00f4t que de f\u00e9tichiser son produit\u00a0final. Diana Righini assemble ainsi des fragments et les r\u00e9organise dans une configuration in\u00e9dite qui leur pr\u00eate un nouvel usage, une nouvelle signification, par rapport \u00e0 leur fonction initiale. D\u00e8s lors, la d\u00e9marche de l\u2019artiste tend \u00e0 nous offrir une nouvelle perspective sur les mat\u00e9riaux qu\u2019elle collecte, \u00e0 faire varier nos points de vue sur le monde et les objets qui le constituent. En somme, elle nous invite \u00e0 nous mouvoir et \u00e0 remettre notre pens\u00e9e en mouvement, loin des cat\u00e9gories rigides et des st\u00e9r\u00e9otypes qui irriguent l\u2019opinion.<\/span><\/p>\n

En effet, les cartes intitul\u00e9es <\/span>Nous sommes tous le Sud de quelqu\u2019un d\u2019autre<\/i><\/span> r\u00e9v\u00e8lent la relativit\u00e9 de nos perceptions et de nos jugements. Le monde, entendu comme un monde \u00ab\u00a0commun\u00a0\u00bb, un espace ouvert \u00e0 la pluralit\u00e9 des hommes, se trouve \u00e9clair\u00e9 par une multitude d\u2019approches et de sensibilit\u00e9s. <\/span>\u00ab Le monde prend fin lorsqu\u2019on ne le per\u00e7oit que sous un seul aspect, lorsqu\u2019il n\u2019a le droit de se pr\u00e9senter que dans une seule perspective \u00bb<\/i><\/span>, pr\u00e9disait sombrement Hannah Arendt, annon\u00e7ant par l\u00e0 l\u2019\u00e9mergence d\u2019une soci\u00e9t\u00e9 unidimensionnelle, fille du capitalisme triomphant et de l\u2019ethnocentrisme des politiques occidentales.<\/span><\/p>\n

<\/a>La \u00ab\u00a0Fabrica Mundi\u00a0\u00bb rappelle alors que l\u2019<\/span>Atlas<\/i><\/span> de G\u00e9rard Mercator, premi\u00e8re cartographie scientifique cr\u00e9\u00e9e en 1595, concorde avec l\u2019\u00e9mergence du colonialisme et de l\u2019imp\u00e9rialisme europ\u00e9ens. Le trac\u00e9 des fronti\u00e8res et des routes maritimes consacrent l\u2019av\u00e8nement des Etats-Nations, de l\u2019expansionnisme capitaliste, et transforme le monde \u00e0 leur mesure. <\/span>The Map is not the Territory<\/i><\/span> souligne ainsi le caract\u00e8re fonci\u00e8rement contingent et arbitraire de nos repr\u00e9sentations. Loin de reproduire les contours d\u2019un monde stable qui nous serait objectivement donn\u00e9, les cartes rel\u00e8vent bien plut\u00f4t d\u2019une volont\u00e9 de manipuler et de s\u2019approprier des territoires. Ainsi, la \u00ab\u00a0Fabrica Mundi\u00a0\u00bb ne ferait que refl\u00e9ter un point de vue particulier sur le monde qui, en cr\u00e9ant une carte, tente de produire, d\u2019imposer et de l\u00e9gitimer sa propre vision du globe (d\u00e9signation d\u2019un centre au d\u00e9triment d\u2019une p\u00e9riph\u00e9rie, ostracisation de r\u00e9gions et de populations, territorialisation des identit\u00e9s, fronti\u00e8res entre peuples, races, classes, genres, etc.).<\/span><\/p>\n

Fran\u00e7ois Salmeron<\/strong> <\/span><\/p>\n

Critique d\u2019art et charg\u00e9 de cours \u00e0 l\u2019Universit\u00e9 Paris 8<\/span><\/p>\n

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\u201cThe map is not the territory\u201d, etching, serie of 15 unique prints, 2009.<\/p><\/div>\n

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WINDOW VIEW – Installation \u00ab\u00a0We are all the south of someone else\u00a0\u00bb, 2016-2017.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

http:\/\/www.paris-art.com\/fabrica-mundi\/ Article : Fabrica mundi par Florian Gait\u00e9, paris-art.com Interview pour l’exposition Fabrica Mundi dans Point contemporain PRESENTATION BY FRAN\u00c7OIS SALMERON : ENGLISH : \u00ab\u00a0ALMA, a new art space located in the heart of the 5th arrondissement, and the bookshop La Petite Egypte are pleased to invite you to \u00ab\u00a0Fabrica Mundi\u00a0\u00bb, a two-part exhibition presented […]<\/p>\n","protected":false},"author":1,"featured_media":1071,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/posts\/1088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1088"}],"version-history":[{"count":19,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/posts\/1088\/revisions"}],"predecessor-version":[{"id":1775,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/posts\/1088\/revisions\/1775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/media\/1071"}],"wp:attachment":[{"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}