{"id":1193,"date":"2017-05-13T22:06:06","date_gmt":"2017-05-13T21:06:06","guid":{"rendered":"http:\/\/www.dianarighini.com\/?p=1193"},"modified":"2021-07-11T16:15:26","modified_gmt":"2021-07-11T15:15:26","slug":"murmurations-avec-silvia-lorenz","status":"publish","type":"post","link":"https:\/\/www.dianarighini.com\/?p=1193","title":{"rendered":"\u00ab\u00a0Murmurations\u00a0\u00bb Galerie Deux, Marseille with Silvia Lorenz"},"content":{"rendered":"

MURMURATIONS : <\/b><\/span><\/span><\/span><\/p>\n

1. du latin <\/b><\/span><\/span><\/span>murmurationem<\/b><\/i><\/span><\/span><\/span>, de <\/b><\/span><\/span><\/span>murmurare<\/b><\/i><\/span><\/span><\/span> \u00ab\u00a0murmurer\u00a0\u00bb.<\/b><\/span><\/span><\/span><\/p>\n

2. (<\/b><\/i><\/span><\/span>Anglicisme)<\/b><\/i><\/span><\/span> <\/b>Regroupement important <\/b>d\u2019<\/span><\/span>oiseaux en <\/span><\/span>vol, <\/b><\/span><\/span>nuage d\u2019oiseaux<\/span><\/span><\/span><\/p>\n

Diana Righini & Silvia Lorenz se retrouvent \u00e0 Deux pour r\u00e9aliser une installation in situ inspir\u00e9e du vent, force immat\u00e9rielle, incontr\u00f4lable et l\u00e9g\u00e8re.<\/span><\/span><\/span><\/p>\n

Le vent, symbole de d\u00e9sastre, de r\u00e9sistance et d\u2019\u00e9nergie, appelle une multitude de m\u00e9taphores : \u00ab\u00a0aller \u00e0 contrevent\u00a0\u00bb ou bien \u00ab\u00a0aller l\u00e0 o\u00f9 le vent m\u00e8ne\u00a0\u00bb.<\/span><\/span><\/span><\/p>\n

Les deux artistes o<\/span><\/span>uvriront les portes de Deux au vent, et cr\u00e9eront une installation \u00e0 partir de poussi\u00e8res de rue, glan\u00e9es dans Marseille, incluant les co\u00efncidences et des accidents. Rassemblant divers objets, mat\u00e9riaux et fragments, images film\u00e9es et imprim\u00e9es, leur mode de travail rappelle les proc\u00e9d\u00e9s du bricolage que l’anthropologue Claude L\u00e9vi-Strauss qualifiait de \u00ab\u00a0science du concret\u00a0\u00bb, mettant en sc\u00e8ne ainsi un m\u00e9canisme de la pens\u00e9e pr\u00e9sent chez tout humain. <\/span><\/span>Dans <\/span><\/span><\/span>Murmurations<\/i><\/span><\/span><\/span>, les deux artistes accumulent, connectent et fa\u00e7onnent des mat\u00e9riaux pour contrer le chaos du monde.<\/span><\/span><\/span><\/span><\/p>\n

\n

The wind, symbol of disaster, of resistance and energy, carries a multitude of metaphors: from \u00ab\u00a0against the wind\u00a0\u00bb to \u00ab\u00a0going with the wind\u00a0\u00bb. Silvia Lorenz and Diana Righini open the doors of \u00ab\u00a0DEUX\u00a0\u00bb to the wind, to create an installation which starts from left-overs in the streets, collected in Marseille, including incidental and accidental discoveries. The installation assembles fragments and objects, filmed and printed images. Their work reminds on the do-it-yourself process which the anthropologist Claude L\u00e9vi-Strauss described as \u00ab\u00a0science of the concrete\u00a0\u00bb – staging mechanisms of thinking and acting present in every human being.
\nIn \u00ab\u00a0murmurations\u00a0\u00bb the two artists pile up, connect and shape this material to counteract the chaos of the world.<\/p>\n

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\u00ab\u00a0Violet Noailles\u00a0\u00bb Diana Righini et Silvia Lorenz – Collage de papier du march\u00e9, scotch papier, structure en bois, installation vid\u00e9o, graffitis\/transfert, 2 m x 3,50 m, 2017<\/p><\/div>\n

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\u00ab\u00a0Violet Noailles\u00a0\u00bb Diana Righini et Silvia Lorenz – Collage de papier du march\u00e9, scotch papier, 2 m x 3,50 m, 2017<\/p><\/div>\n

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\u00ab\u00a0Violet Place Jean Jaur\u00e8s\u00a0\u00bb Silvia Lorenz & Diana Righini – Video, wind performance, 1 min., 2017<\/p><\/div>\n

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\u00ab\u00a0Violet Place Jean Jaur\u00e8s\u00a0\u00bb Silvia Lorenz & Diana Righini – Video, wind performance, 1 min., 2017<\/p><\/div>\n

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\u00ab\u00a0Wind Wasted Land\u00a0\u00bb, Diana Righini – vid\u00e9o, 30 sec. (Berlin) 2009<\/p><\/div>\n

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\u00ab\u00a0Aluminium Birds\u00a0\u00bb, Diana Righini & Silvia Lorenz. Ready made from recycled aluminium cannet and wood’s pieces from market boxes,2017<\/p><\/div>\n

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\u00ab\u00a0Aluminium Birds\u00a0\u00bb, Diana Righini & Silvia Lorenz ready made from recycled aluminium cannet, wood’s pieces from market boxes,2017<\/p><\/div>\n

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Murmurations > \u00ab\u00a0Birds\u00a0\u00bb – Diana Righini, vid\u00e9o loop, (Auvergne) 2015<\/p><\/div>\n

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Kovitlac (whirlwind), Silvia Lorenz, vid\u00e9o loop, (Serbia) 2016<\/p><\/div>\n

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\u00ab\u00a0Violet Noailles\u00a0\u00bb (d\u00e9tails) Diana Righini et Silvia Lorenz – Collage de papier du march\u00e9, scotch papier, structure en bois, installation vid\u00e9o, graffitis\/transfert, 2 m x 3,50 m, 2017<\/p><\/div>\n

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\u00ab\u00a0Violet Noailles\u00a0\u00bb (d\u00e9tails) Diana Righini et Silvia Lorenz – Collage de papier du march\u00e9, scotch papier, structure en bois, installation vid\u00e9o, graffitis\/transfert, 2 m x 3,50 m, 2017<\/p><\/div>\n

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Murmurations, installation view at Galerie Deux, Marseille, 2017<\/p><\/div>\n

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\u00ab\u00a0Black Hole Sun\u00a0\u00bb, Silvia Lorenz (complice Diana Righini) bottle cups on plastic boards, 2m x 3,50 m, 2017<\/p><\/div>\n

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\u00ab\u00a0Black Hole Sun\u00a0\u00bb, Silvia Lorenz (complice Diana Righini) bottle cups on plastic boards, 2m x 3,50 m, 2017<\/p><\/div>\n

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\u00ab\u00a0Sublimer Marseille\u00a0\u00bb, livre de recherches… notes, dessins… de f\u00e9vrier \u00e0 mai 2017 – Diana Righini & Silvia Lorenz<\/p><\/div>\n

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MURMURATIONS : 1. du latin murmurationem, de murmurare \u00ab\u00a0murmurer\u00a0\u00bb. 2. (Anglicisme) Regroupement important d\u2019oiseaux en vol, nuage d\u2019oiseaux Diana Righini & Silvia Lorenz se retrouvent \u00e0 Deux pour r\u00e9aliser une installation in situ inspir\u00e9e du vent, force immat\u00e9rielle, incontr\u00f4lable et l\u00e9g\u00e8re. Le vent, symbole de d\u00e9sastre, de r\u00e9sistance et d\u2019\u00e9nergie, appelle une multitude de m\u00e9taphores […]<\/p>\n","protected":false},"author":1,"featured_media":1207,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/posts\/1193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1193"}],"version-history":[{"count":18,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/posts\/1193\/revisions"}],"predecessor-version":[{"id":1736,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/posts\/1193\/revisions\/1736"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=\/wp\/v2\/media\/1207"}],"wp:attachment":[{"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dianarighini.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}